[Harp-L] Percussion
- To: billhines4@xxxxxxxxx
- Subject: [Harp-L] Percussion
- From: David M Scudamore <aroundtoithandyman@xxxxxxxxx>
- Date: Sat, 9 Jan 2010 21:01:51 -0800 (PST)
- Cc: harp-l@xxxxxxxxxx
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- In-reply-to: <201001091815.o09IEwfn021665@harp-l.com>
Bill, I watch a lot of harmonica instruction on Youtube and caught Adam Gussow in a one man band, playing rack. The footdrum he uses is credited, and really looks great, and when I looked on that web site, I thought it was reasonably priced. The same site also has several other foot powered instruments. Maybe not as professional, but I have seen several using a foot pedal and a suitcase, and doing a great job! BTW, my instructor does both harmonica and drums professionally in 3 bands at once and also does studio work with both. His nickname is "man and a half" because that's what the studio pays him for doing 2 instruments at once!
http://www.youtube.com/watch?v=l-E3qQ59VcQ&feature=PlayList&
p=4CFD6AA48AB3C2DA&index=24
DaveyBoy
Message: 5
Date: Sat, 09 Jan 2010 14:11:21 -0500
From: Bill Hines <billhines4@xxxxxxxxx>
Subject: [Harp-L] Learning to Sing
To: harp-l@xxxxxxxxxx
Message-ID: <4B48D4D9.3000103@xxxxxxxxx>
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Hopefully this is on-topic because I really think it has a lot to do
with harp players. It's pretty clear that a harp player would get more
opportunities to be in bands if one could front or at least contribute
vocals, and perhaps even play percussion on numbers that don't work for
harp.
I used to think people were either born good singers or they weren't. If
you watch the shows like American Idol (yeah, I know, let's not go there
and dilute what I hope will be a good thread) they seem to dismiss those
that "don't have it" and encourage them to take up something else, as if
they can never learn to sing. I know that's on a whole different level
and they are looking for extremely talented vocalists, but still it
gives the impression that you "got it or you don't."
However, I've been attending jams enough, and even seen many concerts by
superstars like Neil Young, Dylan, Tom Petty to think "if I didn't know
who these guys were and heard them sing, I'd say they weren't good
singers or at best don't have good voices" but of course to see them
live, and hear their music even recorded, you know it "works" because of
their passion and the music surrounding their voices being so keyed in.
(Ok Kris Kristofferson really does have a bad singing voice no matter
how you look at it, haha). I'm a fan of Young, not so much Dylan and Petty.
So I guess no matter what kind of chops you are born with, you can
"learn to sing" at least as far as the key things like projection,
holding a note, being on key as best possible for the songs, and most
importantly picking only songs that "work for your voice", etc.
Any tips on how one goes about that? Are there any good self-training
materials out there? I know folks will say "get lessons" but that can be
problematic if you travel or depending on where you live. And how would
one identify a good teacher anyway? I'm sure it's like the harp world,
there are good teachers and bad ones.
Anyway, I'm curious and I thought the thread would be helpful to others
now and in the future. I'm sure many on the list have dealt with it,
what was your path and how would you get there differently now?
I'm curious about the percussion aspect too, if anyone wants to throw
stuff out there for that too. I'd like to get a set of some common
percussion instruments that aren't too crappy if anyone has
recommendations, same with learning DVDs, etc. I'm learning some
acoustic guitar to help me with the music theory part and maybe someday
to do some racked accompaniment.
I'm not looking to form the next Cream, just want to maybe supplement my
income in retirement and have a little fun. Maybe even before that.
Bill Hines
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